Trelicous

As I stood at the intersection where Garland opens up to the fields, I watched as a car inexplicably went down the wrong side of the median. Opposite the intersection are the beautiful homes that have been remodeled one by one. They are much more striking in the dark early hours of the morning. I turned in that direction out of curiosity, observing that the car made a left onto Sycamore. It’s undergoing what seems like a permanent closure due to reconstruction of the road. I carefully walked along the gravel temporarily placed on the roadbed. Not too far from the intersection where the street intersects with Leverett, the car was pulled over and whoever was driving it had the brake lights activated. Because I am either fearless or stupid, I approached the car from the driver side, taking a wide approach so that the potential occupant could see me. As I came within about feet from the driver door, the car roared away. I watched it bounce like a volleyball as it went over the juxtaposition of gravel at a lower height than the pavement. It was an auspicious start of the day for me wandering and wondering around in the dark. I suspect it was an inauspicious ending for the driver, one undoubtedly proceeded by questionable choices and liquid dopamine. I noted the irony that the next song that played on my headphones was a lyricless version of “Peace Of Mind” by Boston. I zoned out as I walked along the beautiful new sidewalks that were recently completed. Off in the distance, I had the privilege of watching the dark skies turn purple, pink,and rosé as the clouds broke on the horizon and the sun peeked through.

The next song on my playlist was a lyricless version of “Don’t Fear The Reaper.” I laughed and felt pity for the reaper. No one takes the time to consider that he’s never welcome. Or that he has to do his job in this humidity wearing a heavy cloak. I bet that sometimes the reaper wants to sit and have a good cup of bitter coffee in the morning and listen to the birds.

PS I prefer the word “lyricless” over “instrumental” because the latter usually denotes a different version than that to which we are accustomed.

Love, X

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