“It’s the beauty that hurts the most, not the ugly.” – Daniel
As a reader and lover of language, I sit in satisfied wonder after watching “Rectify.” It’s been said by many that it was the best show that no one was watching. Rarely do characters come so vivaciously to life, murmuring and whispering with such glib eloquence. Listening to the people in this show move through complicated lives in this show is the closest I’ve ever come to experiencing visuals as if they were a novel. Several times in the past, I’ve read of the love and admiration of this show and renewed my self-promise to immerse myself. Not until the show was finishing its run, however, did I stop gazing at it on my to-do list and start down the intricate road it travels. I regret not having been a part of it since it first aired but I will make amends by recommending it to anyone with a discerning taste for depth.
If you have the opportunity, please visit Netflix and give this treasure of a show an open door in your life. You won’t regret it, even if the pace seems to be too languid for you at the beginning. Oddly, if you describe yourself as an avid reader, I’m convinced that this show will be an immediate friend to your life.
The intelligence of this show astounds me. The people inhabiting the world it paints for us trip and fall, even as they see the obstacles in front of them. Countless times I watched the inevitable pain surprise them, only to see a parallel to my own life. The mirror it smashes into my face catches all the sublime idiocy of the steps we all take, regardless of the severity of circumstance.
From the show’s beginning, Daniel emerges from prison and instead of railing against the injustice, he perplexes everyone with a deeply insightful commentary on the world. I’ve had trouble explaining to people exactly what about the show was so captivating. “It’s about a man who is released from prison after almost 2 decades.” If that’s the case, “Sling Blade” is just a movie about an eccentric older man being let out of psychiatric care in the South. The particulars aren’t what brings forth the revelations: it’s the humanity inherent in so many scenes of this show.
It’s difficult for me to pull back from my enthusiasm for this show; it’s likely I’ve over-sold it people. Something about it forcefully reminds me of the wild emotion I felt the first time I finished “The Prince of Tides” and heard the words, “Lowenstein, Lowenstein, Lowenstein” reverberate in my mind.
If you need a gift for yourself, I recommend that you find a quiet moment to step away from your real life, sit down, and give “Rectify” the chance it deserves to unfold the way television should be revealed. It avoids the mega-dose of plot twists that doom so many potentially great tv shows or movies. Don’t let the initial premise of a condemned man’s unexpected release from prison trick you into thinking you understand what this show is about. The story is about us, individually and collectively, careening around the backdrop of what it means to be human.
The show itself is a crescendo of discovery as the seasons reveal themselves. By the end of season 4, you will find yourself under the gossamer veil of nostalgia, for a world you would love to live in. As the show ends, you will find yourself feeling restless for unknown highways and side roads, all hopefully leading to places where people like Daniel Holden might feel at home. (And allow us a moment to sit in their presence.)
If you are lucky, it will reveal glimpses of your own self that you’ve kept hidden slightly around the corner.
“Finding peace in the not knowing seems strangely more righteous than the peace that comes from knowing.” – Daniel