Category Archives: Music

Outro

I needed a deviation this morning. So instead of the short drive to work, I went to one of the dark places where I can see the sky. I put on M83’s “Outro” and let it rip. If you’ve never heard the song, put in some earbuds or put on headphones and turn the volume up. If you don’t get goosebumps, I’m not sure you’re human. 

X

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Me

I have immunity from boredom. It’s like time is compressed for me most of the time. Regardless of the environment, I have the literal world in this little rectangular box I’m typing into. Music, opinion, language(s), ideas. Not to mention an endless supply of things and objects that can be reformed or used to occupy my hands and brains. I also have the entire outside world. I’m lucky enough to have a car that I can get in and go when I want. And still have two healthy feet to propel me. I’ve yet to take a walk where something interesting was lacking.

One of our worst attributes is that we tend to focus on what we perceive to be missing. Instead of the wild luxury that was not available for most of human history. The tendency to seek what we think we’re missing is also a great source of pain in our personal lives.

For those who like to think about thinking, it’s either liberating or debilitating. It’s existential and separating.

But because the internet can be a cringefest or a personal revelation, I sometimes don’t say the things that many of us have in common but never talk about. At least not authentically. Vulnerability is the undershirt that we hide under a thick jacket. Even when someone dares to strip away the ego-driven layer, we universally agree to look away or let our awkwardness keep us from diving in.

Because I do so much, I have an astounding amount of content floating around the internet without any attribution to me. Sometimes, it comes back to me transformed. Which makes me feel seen and heard in ways that I’m not in my personal life. It’s a constant staccato of surprise for me because the people around me have their own idea of who I am, reinforced by the experiences they share with me, molded by whatever environment we’re in. Most of those environments are not authentic. 

Love, X

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Nostalgia

I love when forgotten memories get unlocked by music. Monday afternoon I was scrolling and Sammy Arriaga’s version of Freddy Fender’s “Before The Next Teardrop Falls” came on. 

I remembered a specific summer afternoon over the years. But for some reason, this time an enormous amount of details came back. It felt like a door had been unlocked and let me remember things that were locked away. It was July of 1990, back when I was as naive about so many things and an expert at things most people didn’t experience.

I hadn’t thought about that summer afternoon in years. Even though it was my first year at Cargill, I was trying to do something for Uncle Buck who had helped me yet again. Many people don’t know that it was because of him that I was able to do things that I otherwise might not have. Several times in junior high, he stepped in and helped me when my parents drank all their money away. I have to include Aunt Ardith in my thanks. 

I mowed Uncle Buck’s yard for him.  Because Aunt Ardith went to play bingo, Uncle Buck invited me to join him as he poured himself a “snortee.” Jimmy would have been at his job at Mary Maestri’s, working in the separate building on the large property at the corner of what is now highway 112 and 412. Like almost everything else, it’s an entirely different world out there now.

For once, I accepted a small glass of whiskey with two cubes of ice. Uncle Buck laughed like he did, pointing out that people who preferred to drink their whiskey straight were either sophisticated or about to start a fight. 

When I was younger, Uncle Buck tried to encourage me to learn to play bass guitar. He liked to tease me about being in band and choosing the French horn. But he was glad that I was into music.  Once I graduated, I turned down both a music scholarship and an offer to be in the United States Army Orchestra. Uncle Buck wasn’t someone who repeated himself often, but there were a few times he told me to find a way to get back into music. 

Uncle Buck got out one of his records. He chose Freddy Fender’s “Before The Next Teardrop Falls.” He showed me the album cover and laughed at Fender’s enormous head of hair. By that age, I had already adopted my short haircut. 

Probably because no one else was at the house, Uncle Buck told me to listen to the song with fresh ears. He said that it was one of the best examples of a perfect country song. Just a stripped down love song that wasn’t cluttered by technique. 

I don’t know what Uncle Buck was thinking about when the song played the first time. It’s strange to me to think that he was around 57 years old that afternoon, just a little younger than I am now. Whatever look he had on his face, it was 100% nostalgic.

When he played it the second time, he explained it to me as a musician. While I don’t remember specifically everything he said, he told me that it was the perfect tempo to sing or dance to. That it was standard time, mostly major chords, and that it was the perfect example of a verse-chorus song. Uncle Buck was impressed with the fact that Freddy Fender made a hit out of it both in country and pop. Uncle Buck was also impressed that the song included a steel guitar and an accordion. 

As the song played a second time, I almost fell out of my chair when Uncle Buck softly followed the lyrics as Freddy Fender switched to Spanish. Uncle Buck loved teasing me about speaking Spanish, but this time, after the song ended, I asked him about it. He told me that because he learned all music by ear, it was just a question of repetition. 

We listened to a couple of other songs before Uncle Buck put on Charlie Pride’s “Kiss An Angel Good Morning ” 

I don’t remember exactly how he put it, but he pointed out that it was almost perfect too, because it was the type of song bad singers could do reasonably well. 

I wish I could remember what song he played next. That part is lost to me. He got up to pour himself another drink. He stood in front of his well-equipped stereo system, thinking. As an electronics tech for Montgomery Ward, he had nice stereo equipment.  Whatever song it was, by the time it ended, he had downed his drink. 

If I had it to do all over again, I would find ways to sit with Uncle Buck and have him talk about music. When he was younger, he had the chance to play with some amazing musicians in Memphis. Even though he played in a couple of bands that did well, he chose a good job with benefits over the musician lifestyle when he moved to Springdale. Because I’m older now and can relate to the fact that he was about the age I am now, I understand the nostalgia he probably felt that afternoon. 

X

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Monday Has It’s Tuesday

Monday Has Its Tuesday

(A man dressed in a black suit stands with his back turned toward the empty auditorium. As he turns to hold the stand mic with his right hand, a soft spotlight highlights his chin, tilted to the ground, obscured by his hat. 

As the band hidden offstage begins to play, the man removes his hat and holds it over his heart. 

He takes a deep breath as his voice reverberates throughout the auditorium. It’s obvious that his voice is powerful. For this song, however, he holds back, as if alllowing his voice to be free will bring him to his knees.

As he sings, he looks at the stage floor.) 

Monday has its Tuesday 

The night has the sun 

Standing here alone

Feeling undone

Presence is a choice 

Time is short for all

I’m losing myself

and becoming small

You shine your light to others

Without a second thought

When I’m here waiting

Slowly losing the plot

(Chorus)

I need your energy

both laughter and desire

smile when you see me

always wanting to know more

I’m losing myself

I feel like a chore

Monday has its Tuesday

The night has the sun

Standing here alone

Feeling undone

(As he sings the last two lines, he raises his head to finish)

I guess I’ll wait 

Even though I’m gone

(He bends to place his hat on the floor, flooded by the spotlight. He sighs and shrugs, exiting stage left.)

X. 

Inopportune (A Song)

You enter a small, intimate club. A piano, backlit by a soft light, is on the small stage up front. A microphone stand is to the right of the piano. The singer is due to come to the stage at any moment. You sit facing the stage. To your left is your husband, who looks across at you nervously. He admires you and your dress, then smiles.

A brightly-dressed woman with hair wrapped like days of old enters the stage from the left. She sits at the piano, adjusts the hem of her mid-thigh dress, and nods. The audience lights go dim.

Your husband abruptly stands, bows slightly toward you, and then makes his way through the onlookers.

As he climbs the five steps up to the stage, you realize he’s conjured a surprise. Long past are the days when such surprise once ruled your lives. Unbeknownst to you, that drives his nervous legs onto the stage.

He turns briefly to the pianist, who smiles, nods, and places her hands above the piano keys. His right hand cradles the old microphone as his left grips the stand below.

“I know we’ve lost a touch of magic over the years. I miss the connection we once took for granted. I still see the same bright, beautiful woman I met all those years ago. This song is for you, hoping you want to rekindle the flame that needs fragile attention.”

And the music begins to play…
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Inopportune

[Verse 1]
swallowed desire doesn’t nourish a soul
lasting long enough, it takes its toll
like standing at a banquet admiring the food
wondering why no one hands you a spoon

[Pre-Chorus]
beauty gives confidence; therein lies a truth
but it also lies to those who perceive it
any fool will throw away the pan
if they can’t find the gold

[Chorus]
we don’t live in a theory or in our heads
the same beauty you relish is a pain to behold
you might as well be standing on the moon
seeing but not experiencing is inopportune

[Verse 2]
if it’s all take and no give, what’s the point
you might as well be looking at a painting
behind an impenetrable blindfold
keeping your secret desires untold

[Pre-Chorus]
we want admiration, desire, and passion
without it, we might as well dine on air
it isn’t enough to be standing and staring
a cyclone of needless despairing

(chorus)
we don’t live in a theory or in our heads
the same beauty you relish is a pain to behold
you might as well be standing on the moon
seeing but not experiencing is inopportune

[Outro]
food for the eyes is food for the soul
the primal beat of our human hearts

This Place (A New Song)

This Place
I threw down the manual and kicked over my chair
one more set of numbers might murder my will to live
ain’t got another damned day to give

this place
this place
never had any grace

every second measured, each move under evaluation
human life reduced to numbers to the left of zero
ain’t got another damned hour to give

this place
this place
never had any grace

each morning takes a little corner of my mind
listening to contradictory and meaningless instruction
ain’t got another damned minute to give

this place
this place
never had any grace

if I don’t break free and surrender from this place
even the idea of me might dry up and blow away
might not have another damned second to live

this place
this place
never had any grace

(screams)
I’m out of here!

Holy Snarl

It is strange for me to write about the reactionary shock some believers experience in the face of this emergent and vitriolic version of belief. I wrote this song from the perspective of someone I trust to have a grasp of what religion is supposed to do to their lives. The song wails into the octaves instead of screaming, followed by a descent into acceptance, as they are surrounded by people who’ve twisted the message into something unrecognizable.

“Angry Snarl”

though they can’t spell the word sanctimonious

you smell it from a mile away

uninformed but seemingly never silent

they poison our world with certainty

you can’t reason with people like this

their ears are closed with heavenly glue

they have just one book to ban all the others

and it never means the same thing twice

they never hesitate to offer a judgmental opinion

as if we haven’t watched them go astray

they speak of god with angry lips

where mercy lies in a forgotten ditch

(chorus)

you can’t reason with people like this

yet you persist in measured reason

knowing it’s all in vain

they have the only answer to give

and that’s their only refrain

they speak of god with angry lips

wondering why we don’t feel safe

an afterlife of condemnation

is no way to live

Love, X

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Dearly Beloved

This song is about Prince. It’s also about the importance of having people in your life who love or respect you enough to stand up and tell you to knock it off.

Love, X
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Dearly Beloved

Dearly beloved, we are gathered here today to get through this thing called life

Even the prince of music faltered
It started with pain from performance
And ended as it must, even for a music god

He had countless friends and managers
All were sideliners to his downfall

Why didn’t they stop him people might ask
Maybe they did in a private space

But you have to ask yourself
How often has a friend stopped you
Would you listen if they did?

We fool ourselves into superiority
That won’t happen to us
We are made from exotic dust

This is what it sounds like when doves don’t cry

But if he couldn’t do it
You better find your purple banana

He was a man of 1 million melodies
but never wrote his swan song

You or someone around you right now
Fails to appreciate the danger

He had it wrong about the Grim Reaper
The reaper fails to respect who you are

Why don’t we scream at each other
This is what it sounds like when doves don’t cry
It is silence when an objection is needed

If you know what I’m singing about up here,
come on and raise your hand

Don’t let down your guard
even if you sing like a dirty angel

This is what it sounds like when doves don’t cry

If Or Why (Original Songs)

I don’t expect people to take the time to listen or absorb the message. Whether other people think so or not, some of the lyrics are insightful. The female voice version seemed to have an unpleasant tone, even though it resonated with me, and I worked diligently until I achieved that sound.

I don’t create things with the exclusive motive of it being liked. If I had that fear, I would do what most people would and fail to summon magical words from the air.

I have three versions of this song.

Here are the lyrics:

the January sun shone on your hair
your shirt clung to you like a glove
I held my breath for a fleeting moment
as I watched you walk toward me

I knew your mind was elsewhere
I waited for our eyes to meet
A smile, a glance, flickering enthusiasm
The reciprocal charm of being waited for

I couldn’t do what came to mind
I couldn’t say the things in my heart
I swallowed down the hungry tingle
and instead urgently looked away

When you feel like you’ve been hungry
The difficulty lies in thinking straight
You don’t buy a house just for the kitchen
But try living there without one

The gradual wither of my affection
Leaves me a little shredded and uncertain
I can’t find the words to explain the color blue
When you don’t see the things that I see as true

Beauty truly lies in the eye of the beholder
its value diminishes when someone grows colder
Confidence and esteem have their place
Yet it’s a tango, a duet, and a mutual dance

One person’s truth is another’s lie
It’s easy to forget that it takes two
Both being nurtured, seen, and felt

One person’s truth is another’s lie
And I can’t find the words to tell you why
I crave a life filled with overflowing
Freely shared and effortlessly showing

Dancing alone just isn’t the same
It moves your feet yet traps the pain

if art is food for the soul
of what use are eyes if not to see
of what use are arms
if not to hold and behold

One person’s truth is another’s lie

No one should be left wondering if or why

….

The original version…

The second version, more of a rock feel…

An alternate rock version…

Love, X
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