Mike Rowe Should Slow Down and Think….

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If someone says, “I’ve got a picture of folks working hard in the cotton fields,” why do people assume that there are slaves in the picture? Cotton was the territory of the poor.

My mom was literally born in the cotton fields and her family did the harsh work in them.

Mike Rowe has created a controversy by assuming that a news anchor had a picture of slaves on her wall as inspiration. That’s just illogical. Cotton field workers weren’t all slaves – but they were all poor and had to work like their lives depended on it – because it did.

(I’m not a follower of either Mike Rowe or Melissa Harris-Perry.)

Mike Rowe butchered logic by pinning an entire viral social media argument on the premise that Ms. Harris had a picture of slaves to define “hard work” for her. She said she had a picture of folks working the cotton fields. That picture could literally be a photo of my ancestors – and none of them were either black nor slaves. It is so easy to create a whirlwind where none need exist if you are more interested in earning a living fanning the fires on social media than you are in trying to get to the gist of what someone is saying and believes.

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“The Greatest American Hero” (Don’t Be Old At Heart)

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“The Greatest American Hero” was one of the dumbest shows ever on television. I of course loved it and considered it to be both a documentary and guidebook for a great life.

There is no moan louder than someone of a previous generation complaining about something being remade, redone or of sequels and prequels inspiring a new take on an old idea. I should know – because most of the crying is from people of my age or older. Complaining about the alleged lack of imagination of creative teams is a common refrain – and misguided, in my opinion.

“There’s nothing new under the sun.” Ever heard that saying? It’s older than your grandmother’s dentures. It seems that people complaining about remakes are themselves guilty of repeating the same tired cliché?

There are great reasons to turn to an old idea for inspiration. Using something familiar is a sound basis for a new adaption; familiarity and echoes of similarity hearken us back to when we were younger and ostensibly purer. Being able to take something known and trusted and make it fresh and invigorating is a tough task for everyone involved. It’s true – many fail miserably. But they tried. Sometimes, they do it better, with more creativity, and with verve. So often, though, they aren’t given a chance, as people turn their backs on the opportunity to think of something they love in a different way. People love revisiting the people, places, and memories of their pasts. Writers and studios know this and respond with what people want to see.

Most people watch the same litany of shows. Rarely do people flourish and branch out to new genres and types of movies and television as they age. While many might tune in to 15 different shows over time, the truth is that many of those shows are just vague versions of other shows. I won’t make the oft-repeated joke about the 47 iterations of “CSI: Bathroom Break” shows.

As people age, there is a tendency for them to stop being interested in new music. “Music is all crap nowadays.” Or, “The golden days of music were back when…” It’s not true – it is just that we close our minds and ears off to things that don’t fit into the grooves of repeated “normal” that we’ve grown accustomed to. So, we lose the chance to find nuggets of greatness even among piles of dreck. We tune in to the same classic stations, oldies marathons, and retro-music. (Complaining about the music of the day is a direct symptom of getting old at heart.) While I’m on the subject, it is also why there are weirdos claiming that vinyl is better, 8-tracks were more pure in spirit, or that mp3 format is like listening to your mother-in-law read the IRS tax code while gargling.

And we complain about the lack of originality. It’s not “them,” it is “us” who is the problem.

I look forward to the re-imagined “The Greatest American Hero.” They might fail and they might succeed. I figure if one of favorite songs is a mashup of “Hard Day’s Night” by the Beatles mixed with “Girls, Girls, Girls” by Motley Crue (who I loathed when I was younger), I might find something delightful in just about anything – if I keep my mind youthful in spirit and stop learning over and over that I really have no idea what I MIGHT like if I give it an honest chance.

PS: For any old fogeys reading this, a “mashup” is a juxtaposition of two distinct songs, usually done via melody, rhythm and lyrics.

Concealed Ax Permits

My new book, “Concealed Ax Permits” hit the shelves last Thursday. I wrote the book when I inadvertently discovered lumberjacks could even ‘open carry’ without a permit. It seemed unfair to be required to wear flannel just to have an ax nearby at all times.

PS. Of course this is supposed to be funny. It caused some confusion on social media. 🙂

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Fashion Secret Conundrum #34

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Fashion Secret Conundrum #34: Almost no one, anywhere in the universe, wants you to buy clothing for them.

This is twice as true for females. I know: you are shaking your head in disagreement because your taste is impeccable, or the item in question is just “such a deal,” or whatever. Trust me, though: almost everyone is hiding behind the social custom of politeness by not threatening to choke you to death with a dirty parka for thinking it is a good idea to buy them clothing.

Clothing is personal, taste is specific, and no one wants to be the bad guy and tell you that your taste is worse than a hermit residing inside a cave on a deserted island.

(PS: I forgot to add: but please take the time to buy and donate clothing to those who need it.)

A Saturday Twilight

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(I wrote this in a flurry, without much regard for observed rules of writing. The moment described still lingers.)

I sometimes wonder.

Out and about in the twilight on a Saturday night, visiting a store I hadn’t been to in years. My quest was a simple one: to find a pecan pie, after having been denied in more than one stopping place. Sometimes, a dreadful, anticipatory feeling washes over me and I am certain that nothing good will come of the moment or that I have made a grave error in exiting the bed that morning. This was no different. The air felt heavy and optimism had made its escape. This place I chose had long since abandoned any pretense or expectation that good times would return.

Entering, the first person I met was sitting in an electric cart using a payphone. She haggardly looked up and I took a long moment to say “Hi.” She seemed ashamed to have made eye contact or that I had wished her a good evening. She was ageless, an example of a long, hard unrelenting life, one which had scarred her in every conceivable manner. I recognized another person in the scarce frailty of her eyes. The illusion that she was another person’s potential future pounced at the back of my mind and clawed there. It unnerved me. I almost turned to walk hastily back outside, with the intent to lie to my wife and drive away.

As I walked around the store, I couldn’t shake the sensation that I was adrift in a vast tomb, one which had been forgotten. No vibrancy touched its contents and the inhabitants seemed driven by no particular purpose. Surreal would be the best adjective to come to mind. I wasn’t sure if I was hallucinating.

I found the pie I had wanted in an interminable section of upright freezers and headed toward the empty register. As I neared, a solitary man followed by two murmuring younger women materialized in front of me to be attended to. All I wanted was to LEAVE and get out of the shroud of cold oddity I was feeling.

The ageless payphone lady shuffled past the sole open register and she mumbled toward the cashier. He didn’t pay her much direct attention, as if the routine of such a presence was normal. Nevertheless, he had deciphered every word she had said. I watched the woman’s eyes arc across all of us while avoiding further eye contact. I could feel her defeated pain as she limped the length of the wide, desolate store. It might as well have been midnight in that place. She picked up the phone at the deserted customer service desk and dialed out. I could tell by her body language that she was getting even worse news. I turned back to focus on getting out of there.

It occurred to me that just a very short walk or drive away, there were other stores filled with liveliness and the bright presence of both disposable money and no connection to the mausoleum of neglected commerce I had chosen. Springdale, like so many other places, is a handful of economic darts thrown lazily around an epicenter. The overlapping boundaries of affluence fight a silent war there.

I paid and made my way toward the exit. Magically, despite the distance and her anguished gait, I knew instinctively she was somehow behind me. If someone had told me that time had frozen to allow her to speed up behind me, I would have believed it.

She shuffled out behind me, her pained limp evident, the uncertainty of each step dragging against the pavement. I hesitated getting into the car, wanting to glimpse her face again and see if the glimmer of recognition would repeat. Her back stayed toward me and she headed away into the dusk. She was leaving, but both she and the flat aura of the store wouldn’t dissipate.

I got in the car to see my wife, concerned. My entire world was as different from that of the ageless lady as could be imagined.

I was both grateful and slightly broken from knowing it.

It was slightly short of indescribable to be a grown man with a strange, unmotivated sense of dread. It almost bested me.

I sometimes wonder.