Category Archives: Movie

Remakes & Covers (At The Road House)

Each time a movie or song is redone, I tell myself not to read the comments. I can recite the permutations verbatim without needing to dive in.

Although it surprises people, I saw the original Road House movie at the theater in 1989. Although it was a contrived and ridiculously stupid movie, I loved it. Watching it was difficult at the time because there was a large man breathing very loudly and making running commentary during the initial part of the movie. I can see why women thought Patrick Swayze was good-looking. Or Sam Elliott. And I can see why a lot of men thought the action was riveting. Of course, it was stupid. Road House and all the movies like it aren’t shooting for an Oscar. I call all these movies “Kicking Ass in Kentucky.” But Road House was entertaining stupidity. Everyone in the theater knew that the bad guy was going to get his ass kicked.

We all need this kind of story from time to time. Escapism, over-the-top romance. The movies that tap into this need have to be simplistic and badly rendered, much like our lives. Top Gun was another dose of testosterone disguised as a movie. “Reacher” on Amazon is another example of a clichè that makes for great television. I haven’t watched an episode of it. I can, however, see that it resonates for the same reason that Road House did.

A spectacular method for dealing with remakes is not to watch them. But it seems that people are incapable of finger control; they must get on the internet and insist that nothing can top the original. I love generalizing. So I will go out on the clichéd limb of saying that most of these people are the same ones who slobber as they insist that there is no good music anymore.

Almost everything is an echo and permutation of what precedes it.

True inspiration and originality are rare commodities. Almost everything is built on the back of something else or someone else’s idea.

I just wish the commenters would get a dose of what creativity feels like and avoid the relentless onslaught of repetition as they all say the same thing.

Even though I’m older, I lean in the opposite direction. Bring on the remakes and the covers. Some of them are going to be good. And some? They eclipse the original. Yes, there is going to be a lot of content and nonsense that doesn’t appeal to us. And that is precisely what makes the world of entertainment so enjoyable.

There’s something for everyone, even if we’ve seen it all before.

Love, X
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The Magic of Focus

What makes going to the movie so special? It could be the excessive butter that leads to gas-propelled walking and making you regret every decision you’ve made in your adult life by eating too much of it. The kernels that plague your teeth and make you reaffirm the decision that, yes this year, you need to go to the dentist. It could be the occasional narcissist who thinks that we need their phone lit up in order to see that they are checking their Tinder for people who are really into selfishness. Rarely do you see a brain surgeon at the theater. I really doubt that Chad or Karen needs to check their phone every 16 seconds.

And that leads me to one of the most joyous things about theaters. It is one of the last remaining places that we are supposed to pretend that our life doesn’t require our personal and immediate attention. We get to focus on a fantasy world, feel our heart race, and even feel a tear sometimes form in the corner of our eyes. Without the distraction of devices. We’re just sitting and absorbing a collective story that brings us happiness.

I’m old school. I want to see and hear the nuance on the screen and to dive in to an alternate reality for a couple of hours. To feel the spark of creativity and originality fire in my brain as I watch and listen. And that requires focus. No matter how people defend their restlessness, entertainment without focus is a diluted shadow of the experience when you aren’t aying attention.

I know people roll their eyes at me when I tell them I don’t get bored. There’s no secret to it. Even if you’re sitting alone on a quiet porch, there’s an entire world within your view. And another one inside of your head to match it.

It’s being in the moment and giving each moment your attention. I can’t help but think that so many people are sitting in the passenger seat of their car ignoring the world as it passes by. At the fulcrum of most people’s lives are their phones. They are the best communication and entertainment devices ever invented. But you have to remind yourself that for every second you are distracted by your phone, you are missing the world and the people standing right next to you. If if first come first serve is truly important to us, then surely it follows that the people already with us deserve our undivided attention.

And that’s one of the reasons I love movie theaters. We haven’t quite lost the expectation of being in the moment and focused.

Like all experiences, a great movie that is shared takes on new life. Much in the same way that doing something together has the same result. All of us can list seminal movies that changed us in small ways. None of it could happen without allowing the magic of imagination and focus to envelope us.

Yes, we also get to eat a bushel of popcorn and drink so much soda that we are afraid we might not make it to the bathroom before the movie is over.

Love, X
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Sling Blade Scenario DIY Kit

Well, I finally finished my ultimate art project, one celebrating one of the best movies of all time: Sling Blade.

Now, if I find myself in a Sling Blade scenario, I have a tool handy for the Doyles of the world.

It’s a brilliant piece of art, if I do say so myself.

Yes, that is a real lawnmower blade in the kit.

Love,
Karl aka X

“What’s Remembered, Lives” Nomadland

The title of this, “What’s remembered, lives,” is a quote attributed to the father of Frances McDormand’s character, Fern. It’s a pithy encapsulation of a truth many of us remember when we lose someone close. Fern finds herself trapped in a self-fulfilling cocoon of memory.

I tried “Nomadland” without knowing much about it. I heard buzz about it before. Frances McDormand seems to bring depth to everything. Though she’s not a classic beauty, she’s aged beautifully. Despite being sixty-four, she appears nude in this movie and does not shirk from any realistic depiction of her character. Some moments will shock you, but none of them are gratuitous.

Frances McDormand’s character is experiencing the hollow of life after her husband died. The town they lived in died due to economics. She travels in a van as a nomad. Each place she visits greets her with fascinating and complicated people, many of whom are portrayed by ‘real’ people from the nomad movement.

It was one continuous, unutterable emotion rendered as a movie.

I might compare it to a dream, one punctuated by hyperrealistic moments that don’t let you flinch away from them. The scenery is beautiful, as is the simple music by Ludovico Einaudi. (Who I discovered accidentally a couple of years ago.) There is an odd assortment of live music in the movie, and all of it is performed with creative intimacy – by people you would love to get to know.

The movie paces with an intentional speed that might confuse some people. This movie is a bit of poetry and prose set in motion. It might well be a creative second cousin to Pat Conroy’s writing.

If I had to compare this movie to something, I might say it’s a photograph of the love of your life found after a violent storm, half-hidden in debris. Or a woman’s beautiful singing voice rendered hoarse from exertion. The beauty is bare for you to see.

Like I always do, I found little pieces of myself in this movie, and in unexpected places.

As for the ending, after Fern experiences her catharsis, it is evident that Fern chooses herself and the nomad life over one filled with people and intimate love. She is a nomad once again.

She will see us all later, though.

Top Gun, Otis Redding, And a Coincidence

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In the movie Top Gun, when Maverick (Tom Cruise) goes to Charlie’s House, most people remember the iconic song “Take My Breath Away.” For me, though, the song that stole the moment was Otis Redding’s “Sittin’ On the Dock of The Bay.” Toto originally was supposed to do the “Danger Zone” song, as well as another that would have been the song used instead of “Take My Breath Away.” Judas Priest was going to do a song for the soundtrack too but thought the movie would flop, as did many critics. Tom Cruise declined to do the movie repeatedly.

Most people with harsh criticisms of the movie tended to knock “the talking scenes” such as the one following the love scene at Charlie’s beach house. We all endured the testosterone-laden antics of our male friends in the late 80s as a result of this movie. For most of us who survived the 80s, each of us has at least one guilty pleasure in a song from the movie. I don’t think any of us miss the aviator sunglasses that seemed to be everywhere. None of us fully escaped the energy of Kenny Loggins as he sang “Danger Zone,” the fourth or fifth choice to sing the song.

What most people don’t consider is the unintentional coincidence of Otis’ biggest hit being in the scenes at the beach house. Maverick was about to go on the biggest mission of his life in one of the most modern airplanes in history, where death followed at every high-G spin.

Otis Redding recorded “Sittin’ On the Dock of The Bay” two times in 1967, with the second time being shortly before he died in December. The song was never officially finished. Otis is heard whistling in the song because he forgot the riffs he intended to fill in and started whistling to preserve the session. After Otis died, the beach sounds were added to this famous song by Steve Cropper, who helped Otis co-write the song.

I forgot to mention: Otis died in a plane crash.

 

We All Live In Nakatomi Tower

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“Hey, sprechen ze talk?” – Harry Ellis

The holiday season can be defined in any manner people see fit. For some, it is an intensely personal celebration of the cornerstone of their faith. For others, it’s an excuse to share time with family and friends. While this will cause a ruckus for some, those who disagree should look to history for an explanation, lest Hans Gruber and his merry lot of robbers burst into their lives and spoil their festive plans. There’s room for everyone to live and love the holiday exactly as he or she wishes. Even for nutjobs like me who love fruitcake or those weirdos who enjoy trees comprised of one single color. Luckily for all of us, our party requires no invitation or dress code.

“Welcome to the party, pal.”

If people love the movie Die Hard as a yuletide movie, it follows that it is, in fact, a holiday movie. Observance of a ritual makes it so. It’s for this reason that I abandoned most of my foolish insistence on orthography and spelling. People drive usage and customs, often at the expense of the comfort and sanity of those around them. As much as we like to insist on consistency, everything is always in flux. In a century, the words I’m using will feel awkward. There will be new traditions we never imagined – and many of ours will seem antiquated. Change is so constant and gradual that we allow ourselves to forget that nothing we do today was always done by our predecessors. Some of us get stuck in a feedback loop that traps us in the idea that our way has always been the way.

Traditions and customs ebb, flow and grow in a wild manner, with complete disregard for what preceded them. If you find yourself struggling with friends or family who disagree with the way you choose to celebrate (or not), ignore them. Don’t fuss or argue, even if you want to wrap them in a chair with Christmas lights, and drop them down an exploding elevator shaft with a note indicating, “Now I have a machine gun. Ho-ho-ho.” Wave your hand in the air in frivolous disregard for their jaw-wagging. Sgt. Al Powell didn’t heed Deputy Police Chief Dwayne T. Robinson, did he?

If you want pizza for Christmas dinner, enjoy it. If you want to play board games and drink fizzy margaritas, followed by a bacchanalia of present opening at midnight, jump in with enthusiasm. If you feel the urge to put up a tree in October, do it. A great number of non-religious people celebrate the holiday, a fact which riles a few of the faithful, as if another person’s choices spoils their own. There is no “one” way to celebrate the holiday. No matter what choices you make, I promise you that someone somewhere is making a twisted face about how you choose. Capitulating to nonsensical demands about a holiday lessens everyone’s enjoyment in life. You’ll feel like Harry Ellis with a hole in your head, after literally trying to negotiate with a terrorist.

If Die Hard is your favorite Christmas movie, then revel in John McClane’s adventures. Should anyone lecture you about your choices, unclasp your watch and let them fall away, like Hans Gruber from Nakatomi Tower. They’ll make the same face as he did when they realize that you can’t be swayed. “Happy Trails, Hans!”

The last thing you want to be is a Grinch, or as the eloquent John McClane puts it, “Just a fly in the ointment, Hans. The monkey in the wrench. The pain in the a$$.” He also exhorted us to, “Take *this* under advisement, jerkweed.” Wise words.

The question isn’t whether “Die Hard” is a Christmas movie; rather, the question is why do other people care that you celebrate it as part of your tradition? Heathens and believers alike can rejoice that our world is one of crazy, infinite freedom. In a season of lovingkindness, so many lose their focus on its possibilities.

P.S. It could have been worse. There are those who think that “Christmas Vacation” is the best holiday movie ever made, which proves my point that all of us are crazy.

Yippee ki yay, melon farmers!

Nothing New?

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The stupefaction of those who say things like, “Great, another remake!” Or, “They don’t have any new ideas anymore.”

Like you, the guy saying it.

We’ve heard it before. We’ll hear it again. And again. From you.

The entire development of the human species, in conjunction with some amazing technology, movies, music, and literature, demonstrates that you are full of cow dung. It’s impossible for an engaged and attentive person to be bored at this buffet the world provides.

There’s a movie remake you aren’t interested in? Don’t see it. A song was redone by a new artist? Don’t listen to it. An unexpected revival of an old show that you don’t want to see ‘ruined’? Don’t watch it. I could write 50 such snarky extensions of my point. But I won’t – and not just because I’ll know you’ll complain about that too.

People have always complained about rehashing old ideas. Generally, the people who do it with the least creativity are older and tend to seldom contribute anything innovative to their surroundings. I’m generalizing, of course, and there are exceptions. Not everyone watches “The Office” 43 times or refuses to listen to any new music or mashups of old classics. Find a new genre, a new crowd, a new book, a different perspective.

The world is an interesting place. Not all remakes are worthy. Not all originals are, either. Sometimes, though, someone takes a new perspective on an old idea and breathes life into it. It’s a sight to behold.

So, before you bitterly opine about something being redone again, stop and consider: you are inflicting the same agony on us by voicing such an opinion.

Go out and create something. Anything.

The world is too full of interesting people with something to say for you to blame them for your lack of appreciation of what’s at your disposal.