Category Archives: Artist

Black

I’m 57. One of the things I’m grateful for is that I am almost oblivious to self-image issues. Most of the people my age spend way too much time preoccupied with how they think they look. Some will say that my gender affords me a different perspective. I wish I could infect people with my attitude. You can fight the tide of aging as best you can. But if you are lucky, age will gift you with more years. In exchange, you’ll pay the price by seeing a different person in the mirror. Be who you are if you can. Since there is no such thing as a universal standard of beauty, regardless of how you get there, it still won’t satisfy everyone. Almost all fashion and appearance trends are geared toward the external, which is a strange way to focus and spend time and energy. Most say they do certain things to make themselves feel better about how they look. There’s nothing wrong with this approach unless you also disingenuously fail to acknowledge that the way you get there is by feeling like people think you look good. It’s the same problem with social media; the likes and approval feed our need for validation and interaction. There’s an element of control and curation about how we present ourselves. All of which is bizarre to me. People see us and hear us in real time each day, without filters. We are who we are in full display. Rather, we’re supposed to be. Beauty is where you find it. As is entertainment, joy, laughter, and grief.

The same circumstances and appearances cause some to blossom and others to flail. This is proof enough that the entire game is a personal perspective. You can ride the wave or swallow seawater.

Though I’ve given away many of my sentimental things, I still have one of my friend’s first paintings. She rendered the woman on the beautiful hill and the sun as black.

Below the art is a framed caption I wrote: “Black Hole Sun: The same sun, yet filtered by negligent eyes renders darkly all that shines.”

We are not designed to be immortal or perfectly rendered. We are supposed to strive to do and be our best. We’d be a hell of a lot better off by focusing on our minds and brains, which avoid physical scrutiny and bring satisfaction in ways that function independently of our faltering bodies. What purpose does it serve to be an Adonis or Helena if entropy demands that it cannot be maintained? Everything falters with time.

It’s not depressing. It’s liberating because it requires you to get up, make coffee, and put on your boots. You nod at the wrinkles and instead focus on what makes you satisfied. You can’t get there if you’re fixated on what must fail.

Love, X

Picasso

Picasso was a terrible human being. I can’t look at his paintings or consider any of his allegedly important works without thinking of all the women he destroyed. The works that made him famous and allegedly important were done by being insanely cruel to women. He became rich in the process. At least two of his lovers ended themselves. He kidnapped one, and locked many unwilling ones in his studio. As he got older they got younger and younger. At one point, he adopted a very young girl to use in his nude sketches. She was returned to the convent from where she came when he was done with her. He enjoyed prostitutes, probably because his first experience was with one. Even if you do superficial searches, you will be shocked at how much information is out there. It’s not a secret. Yet, students are shown his work, visitors see his paintings in museums, and most of them are completely unaware that they are looking at a tapestry of sexual deviancy and exploitation.

Years ago when I attended NWACC, a professor really loved a complicated thing I drew that I titled “Elvis Angel.” It was an intricate and preposterous mess but very interesting. Another student said, “It’s like Picasso with pens and pencils.” She didn’t understand when I said, “Thank you. But I don’t know if it’s monstrously sexual enough for that comparison.” The professor asked me about my comment. She was a very engaging and educated professor who enjoyed my nonsense. Even though I didn’t know a lot about Picasso at the time, I told her that he was a monster. It shocked her because despite her education, she had never heard anything like that. After our conversation, she spent time looking it up, just as she had done when I pointed out something related to employment law that she was unaware of.

Even the painting in this post seems innocuous. But if you know what it really depicts, it’s difficult to look at it in the same way. And if you know the woman’s story, the one used in the painting, you can feel nothing except disgusted and sorry that her path intersected with Picasso.

I love history and trivia. This is not one of those cases wherein people take things out of context against the backdrop of history. This is one of those cases where the behavior of the person involved would be universally reviled if it were known.

X

A Beginner’s Mind A Beginner’s Heart

“That joke is dumb, X.”

“It’s 100 times better than yours, though,” I reply.

“I didn’t tell any jokes.”

“Exactly!” I usually reply.
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I modified the social media meme by exchanging one word; it changed everything.

You don’t have to write, draw, paint, make music, dance, or any of the other million ways to express yourself. But in failing to do so, your life exudes monochrome dullness. Whatever you love doing or creating, do it. You don’t have to do it well. I’ve never seen a newborn baby play Chopin or Merle Haggard. Even if you’re sixty and find enjoyment in whatever form of expression, feeling like you must be an expert is pure insanity.

A beginner’s mind – a beginner’s heart.

Remember when you did something with enthusiasm? Regardless of the result?

Well, the clock is ticking.

There will always be critics.

Even if you do it PERFECTLY, it will not be to everyone’s liking or taste.

As Van Halen quipped, “You might as well jump.”

Love, X
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Once More Unto The Brooch

“You’re only given a little spark of madness, you mustn’t lose it.” — Robin WIlliams

As for my smaller lighter brooch I made and wore today, it was wildly successful. Sure, I had a couple of eyerolls and a bit of derision. 98% was effusively humorous. One person asked me to make one for her husband, who struggles to avoid losing lighters. I imagined him on the construction site with a lighter-brooch on his shirt, while his coworkers chortled at him. The woman at the gas station thought it was both practical and creative. The booth clerk at the flea market said, “Art is in the eye of the beholder. That’s fairly creative, X.”

Though I make these things to be creative and for self-amusement, I also accidentally discover human behavior lessons by doing so.

You’ll hear me say with regularity, “Anything can be made into a brooch if you’re audacious enough.” The fact that I have one made out of a pregnancy test should be proof enough of that.

“Life is far too important a thing ever to talk seriously about.” -Oscar Wilde

Rare is the person who directly expresses displeasure. Not so much about the specific idea or implementation; rather, the IDEA of such a thing. Those people are to be avoided. It belies a lack of enthusiasm for creativity and the autonomy of others to be ridiculous. People who can’t engage in random acts of ridiculousness aren’t part of my tribe, to put it mildly.

People who directly say, “It’s not that clever or not appealing” either do so because they are honest, which is truly a great thing, or they can’t help but to express negativity, which is its opposite. I’m carefree about people’s reactions but I do notice when someone isn’t engaging in a spirit of enthusiasm or encouragement. Life is bland enough without encouraging more of the same.

To everyone who thought it was clever, thank you. To those who didn’t, I can’t hit all home runs. But out of the hundreds of people I ran across today, my cigarette lighter brooch was the most singular thing I saw anyone wearing today. And that’s a home run each and every time – in part because it gives people the opportunity to be amused, annoyed, or to interact. I can’t be certain that NO ONE has ever made a working cigarette lighter brooch. But I am certain that the idea came to me from the mist of my own mind – and that no one I know has ever seen one. Until today. That makes me happy.

The best line I came up with today was a play on words: “Can I send you a Bic pic?”

“Creativity is contagious, pass it on.” – Albert Einstein

Love, X
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PS The next picture is added for varityletter…

Etch A Surprise

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Noted Etch-A-Sketch artist Beth (a notorious yet talented cousin) conspired with my other favorite cousin Lynette, aka ‘Operative Cheetah.’ Beth, using Lynette’s meticulous input, created and designed a permanent Etch-A-Sketch of one of my favorite places in the world: the plank porch at my grandparents’ house on the hill in Rich, a tiny place located in Monroe County. She then installed it in a shadow box stolen from the attic of a noted philanthropist who curated at the Smithsonian. Somehow, despite the current apocalypse, it arrived at my house without damage.

For those who didn’t know that Etch-A-Sketch artists exist – or that they can be rendered permanent by those with the knowledge to do so. Beth’s Etch A Sketch Facebook Page

can before trash

Although unintentional, Beth provided my cat Güino with an immediate resting place. He pawed and clawed until he separated the 14 meters of wrap and created a nesting spot for himself.

cat after trash

This picture is of Güino later, after I pushed trash in around him to determine how long his planned residency in the box might be.

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This was one of the apologetic notes written on the packing box: “I only had gift tape and this is the apocalypse.”

side view

 

 

 

 

 

 

 

 

 

 

 

 

Disvidisia

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After reading a friend’s post about the perplexity of inattention for an artist, especially in this golden age of social media, I began to wonder whether a precise word exists for the sensation she was attempting to describe. I volunteered to create a word to encompass the described melancholy or resigned sensation, regardless of which method of expression the artist chooses.

Before going off on a wordy tangent, here’s my paraphrasing of what she was describing:

“…the untethered feeling a creative person gets when they see that an acquaintance shows deep interest in the happenings in some far-flung place or in the life of a distant stranger, acreage they’ll never traverse or people he or she will never meet and whose trajectory may as well be that of an alien star, often regarding some mundane subject, while turning a blind eye toward their expression, one which germinates in their own backyard…”

I think writers and artists might be the most prone to experience this detachment.

It’s ridiculously easy to share what others have created, to choose words and media designed to urge us toward an emotional reaction. Creating anything is an invitation to criticism; honest artists often share themselves.

Prophets are seldom appreciated in their own communities. Authors, painters, and musicians tend to be ignored until they become substantial; proximity stymies allure. “Familiarity breeds contempt” is a cliché with truth. We tend to need an outsider to tell us what we already know or we will reject the truth from those around us.

So many creative minds experience disconnectedness prior to recognition and when it comes, those same people comprising his or her initial disinterested audience clamor for reciprocity. It’s easy to overlook the fact that all those we find valuable once started with small voices, drawing, singing, writing and acting in small places. (And most of the time were labeled as eccentric or untalented.)

The biggest surprises come from the strangest places.

Doors to familiar houses seldom open to new rooms.

Disvidisia

 

 

 

 

This is a modified version of a post I wrote in September of last year. It struck a chord in many places – and not all were harmonious.